held together with caffeine and more caffeine

Still safe from the flooding, many are not, the long term damage to our roads can’t be underestimated. So much erosion is where the water can get under rigid surfaces, and pool, and flow.

Meanwhile I’m just not concentrating at all. But have also been dealing with some awful pain, from lower back to knee. It felt like neural involvement so I attributed it to fibro for a while. But it followed major nerves rather than feeling like referred so then I did some stretches for Piriformis pain. Oh ouch.

However.

My usual supine spinal twist didn’t go as far as usual, which should have been my main clue as to what was actually going on. So 500mg of Naproxen later and I’m back to being able to stretch. The pain is gone, my back makes the little popping and cracking sounds I’ve become familiar with.

It’s similar to how inflammation affects my jaws and hips. It actually pushes soft tissue out of alignment. For my hip there is a deep U shaped muscle that gets impinged, my lower jaw juts out, and I guess now my lower spine is playing the same game.

I need to renew my scripts so I’ll just ask for all the NSAIDs again as they really do all work differently.

state of emergency

My city is flooded. I’m so, so very, lucky to be on a small plateau so water runs through and off our property but it’s scary because we are on clay- our pipes might now be as okay as appears. We are also on restricted water supply.

I think we’ll be okay through the worst, I’m most concerned about backflow of wastewater as our toilet has fountained a few times.

I had a quick look around our neighbourhood and families are sheltering in our little corner from other parts of the city.

fact checking myself

Ouch. The OCR of this is awful. But I should get it all tidied today. I’ve moved figs., page numbers and footnotes in comments but that’s not ideal but I’m doing them as an entirely separate document. once the main text is sorted.

I love the freedom a digital file offers. Printing journals to be the same physical dimensions each volume means a degree of artificial cut offs. I use inline images and quotes as I have no formatting restrictions but print? I know why they are all added at the end. In print you cut into text blocks to fit everything, so you don’t do that yourself.

I also love the ability to use all the spacing needed to make reading so much easier than paragraphs and sentences that run on over two columns of an entire page. I’ve had to copy text from journals into a text app and then use return after every full stop. Even then it’s not perfect as those long sentences are hard to break up.

Anyway.

I’m working on a really important outside NRW source to get a transcription to translate myself as it’s incredibly important. While there is a mistake, the rest confirms so much of what I’ve wound up with using NRW sources.

Editing and restoring

Since I wrote my draft essay on the headdress of Anne of Cleves I’ve gone on a trip in time and space across documents and art work of many sorts. My conclusion still holds, I just need to change a section and move a section around. An expansion of a really important section that reveals more of what’s in plain sight. There is a role for another sections but it requires a bit of art history to explain their inclusion and potential use so I’ve put a few more documents in my folder of authors to quote.

But I have enough to trigger publication very soon whether or not my paper is accepted into a conference.

I also need to get the courage to go on camera with my physical recreations, and that means finishing the restoration of my very delicate and very expensive pearl work. I might have found a non yellowing fabric glue, but I also have starting clipping the pieces with curved scissors. I’ve lost a pair. Somehow. So I grabbed another pair. It’s not got as fine tips but it’s still uesful.

I also will need to make a template for my thistle <<bentgin>> which may be a little too large to fit that description but it’s handy to use vs <<kette>> as often that refers to a linked chain necklace.

I think I’ll be able to back the last pieces of my jewellery set with the pinks and roses and scrolling cats.

Time to be able to work on my jewels

I’m still very nervous to start my template for my thistle necklace using this wonderful bent frame style, but I shouldn’t be. It’s just my headspace for the last few years to undermine myself.

This frame has corners and loops for links welded in, and I’m bending the corners and hoping to use the pressure of the leaves to keep links in place but let’s hope!

I think I did it

I think I managed to fix my site and tidied my abstract for the call for papers by The Association of Dress Historians. It’s a bit hard to condense why my paper is novel and why when the single largest source for North Rhine Dress has been created by me. But now I am able to take a break for the day and work on my heavily pearled hat all this work is about, and work on the jewels including my Sweet Boo as the central element. He looks a lot like a very round version of this heraldic cat/lioness?

Whoops

It turns out I have already written a decent draft of my paper. I got a bit carried away which is why I got myself in a mess when I was writing it. I tried to answer outside the question I initially ask. But it’s also very nice to have the follow up ready for any Q&A I might be asked *if* the paper is accepted at all.

But it’s also summer and so my days are actually pretty tough as my best therapy for pain and fatigue is heat. This is different though, it’s stifling.

I think 60G is pared back enough

Why yes, editing down information is difficult. But I’m pretty happy with what I have and can sync across devices and the cloud. After writing on my flip book in hospital I’ve got some serious disconnects with copies of copies. It was particularly hard separating the tapestries folders. But when you have such high quality images of really incredibly preserved tapestries? It’s fine to limit them for a paper.

I plan on making a time line of images for these anyway, so I haven’t got rid of them, just moved them for that future project. I love these though. So much. The examples I’m using still need to be organised by date. And some have been separated, many copies are around too.

I wish the cartoons of these sets were still around. The figure to the left appears several times sometimes reversed, and different details. The cartoons I mean are the life sized ones that were used during the weaving process.

My Anne of Cleves research keeps coming back to weird coincidences, well not if you already know the history of the time and place. About 1/4 of my family lived in Gelderland and there was a lot of influence between the duchies and one of the nifty smaller cartoons we have of the Nassau set comes back to that.

Mencia de Mendoza is here is full Spanish splendor. While her attendants are not. They wear local dress.

Mencía de Mendoza married Henry III, Count of Nassau (1483-1538), stadtholder of Holland, Zeeland, Utrecht and Gelderland…

Under Mencía’s leadership, the Breda court developed into a center of science. She maintained contacts with prominent scholars and a large number of scientific and literary publications were produced in her court circle.

https://resources.huygens.knaw.nl/vrouwenlexicon/lemmata/data/MenciadeMendoza

I love that she was so supportive of arts and sciences. And that I really learned about her from her image here in a detour back to Spanish styles for me.